The Amsterdam Residence Home Office — Private Client, Amsterdam
A private home office commission designed for a client who required a space that could hold both focused work and quiet contemplation without sacrificing one for the other. The brief was clear: a workspace that does not feel like work. Calm, considered, and deeply personal in every detail.
There is a tension in designing a home office well. It must be functional without feeling utilitarian, inspiring without feeling performative. In this room, that balance was found not through contrast but through continuity. Every surface, every material, every object chosen to sustain a single mood, deep, unhurried focus.
The feature wall is the room’s most expressive moment. Vertically reeded pale oak slats run floor to ceiling, their fine linear rhythm creating a backdrop of extraordinary quiet. Set against it, a large abstract artwork in burnt sienna and warm stone commands the upper wall without shouting. It is the room’s only gesture toward something unresolved, something felt rather than understood, and it is precisely that quality that gives the space its soul.
A concealed cove light runs along the ceiling junction above the slat wall, casting a warm, even wash downward that makes the oak grain glow amber in the evening. It is the kind of lighting decision that is invisible until it is not there, and then the room would feel entirely different without it.
The desk is bespoke, built directly into the architecture in light oak with a bank of handleless drawers to one side and an open reeded panel detail beneath the work surface. It sits low and generous, the kind of desk that invites you to settle in rather than rush through. On its surface, a stack of art books, a raw concrete vessel, and a single small artwork propped against the monitor frame. Nothing more.
The desk chair is perhaps the most unexpected and most confident choice in the room. A sculptural piece upholstered entirely in caramel shearling, its round form sitting on tapered ash wood legs. In a room of considered restraint, it introduces texture and warmth with an almost defiant softness. It says that this is a workspace, but it is also a place to think slowly.
A spherical opal glass wall sconce mounted to the slat wall provides the room’s secondary light source. Its perfectly round frosted form floats against the linear timber behind it, circle against line, soft against structured, and glows with the warmth of candlelight.
Underfoot, a large hand-woven wool rug in natural off-white grounds the entire composition, its ribbed texture adding the final layer of tactile depth to a room that rewards closeness.






